An Analysis of the Historical Significance and Narrative Impact of an Important Literary Institution

Sheridan House is a major literary institution with a long history spanning from the late 18th century to the present day. It has been a platform for the development of many authors and their works, both historical and contemporary. The complex has hosted some of the most powerful voices in literature and has been the subject of many works of fiction, including the acclaimed novel by Thomas Hardy, The Return of the Native. Through its many years of operation and its ever evolving cultural impact, Sheridan House has left an undeniable and powerful imprint in the literary world. This analysis will explore the significance of the institution, the historical background of its origins, the narrative themes and messages that are associated with the institution, and the relevance of its legacy to the literary world today.

Exploring the Relevance of Literature in the 21st Century

Sheridan House is a chain of bookstores across the United States specializing in contemporary and classic literature. With a wide selection of books and magazines, as well as a variety of events and clubs, Sheridan House is an ideal destination for those looking to discuss and explore the latest works of literature.

However, for a long time, literature has been seen as a relic of the past; something romantic or nostalgic but largely irrelevant to our modern world. Recently, however, there has been a growing conversation around the relevance of literature in the 21st century. It has become an increasingly compelling topic as people from all walks of life explore how literature can help to make sense of our world and ourselves.

At Sheridan House, we invite conversations about this topic, and about the latest releases and classic works that have shaped and continue to shape our lives. From reading and discussion groups to events with authors and poets, we bring people together to talk about problems, possibilities, and stories through the lens of literature. We believe that literature can create meaningful dialogue and inspire us to think differently and critically about our lives.

Exploring the Impact of Sheridan House on Important Literary Discussions: An Analysis of Literature and Sheridan House

Sheridan House is an important literary organisation that has a long history of advocating for literature, in particular, the works of great authors, who have shaped and influenced literary culture. Through examining how Sheridan House has been instrumental in bringing to the forefront key literary topics and topics of discussion, such as the works of Charles Dickens, William Shakespeare and many others, this paper seeks to analyse the lasting impact that Sheridan House has had on the ongoing discourse surrounding literature. Furthermore, it will explore how Sheridan House has been able to bring to the forefront certain key themes, such as the importance of ownership, the power of language and the emphasis of the individual creator. In so doing, this paper will seek to provide a comprehensive understanding of both the impact of Sheridan House on literary discourse and the importance of literature in contemporary society.

Sheridan House is one of the most respected names in the world of literature publishing. Known for their high-quality content, their works have received awards, accolades, and critical acclaim for over four decades. From authors such as Stephen King and J.K. Rowling to classic authors such as Jane Austen and Mark Twain, Sheridan House has had a major impact on the literary world. Through their engaging books, periodicals, and educational materials, Sheridan House is an invaluable resource for anyone looking to expand their understanding and appreciation of literature. By exploring the world of literature with Sheridan House, readers can gain a deeper insight into the writing, ideas, and emotions found within beloved works of literature.

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The topic of Talking About Literature and Thesis Writing is often a daunting prospect for many students. Not only does it involve engaging critically with academic texts, but it also requires an ability to effectively communicate complex themes and arguments in a concise and succinct manner. Writing a thesis or dissertation on a literary topic requires a great deal of research and analysis in order to devise a valid and relevant argument, and the challenge of summarizing a wide range of sources in a single, unified statement can be a difficult one. However, with the right approach and a keen understanding of the literature, building a successful thesis can be an invaluable experience. Through the thoughtful discussion of existing works and the creation of a unique and well-crafted thesis, students can demonstrate their understanding of a particular topic or genre of literature and make an impact on the scholarly community.

Talking About Literature and Thesis Writing: How to Successfully Express Your Opinion and Research on a Literary Topic.

Writing a successful thesis requires careful research into the chosen topic, and expressing your opinion on the matter in a thoughtful and meaningful way. It is also important to be well-versed in the literary topic you are discussing and to demonstrate a thorough understanding of it – which means researching, reading around the topic, and engaging in conversations about it. By combining the topics of literature and thesis writing, it is possible to achieve a successful thesis that not only displays your depth of knowledge but also your ability to communicate your own opinion in a clear and concise way.

List of Ideas for Talking About Literature and Thesis Writing

1. Exploring Themes in Literature and Crafting Thesis Statements

2. Comparing Basic Structures in Writing Assignments and Research Papers

3. Crafting Solid Characterization in Literary Works and Analyzing Sources for Thesis Writing

4. Crafting an Argument Through Evidence-Based Literary Analysis and Thesis Writing

5. Using Creative Styles to Enhance Literary Analysis and Thesis Writing

6. Understanding Figurative Language in Literary Works and Analyzing Evidence for Thesis Writing

7. Exploring Setting, Symbolism, and Metaphor in Literary Works and Drafting a Thesis Statement

8. Writing a Compelling Close Reading of a Literary Text and Developing a Scholarly Thesis

9. Understanding Different Contexts of Literary Works and Assembling Evidence for a Thesis

Evaluating the Impact of Literary Works on Cultural Trends and Defending a Thesis

Writing a thesis on literature can be a daunting task, but it doesn’t have to be! With the right knowledge and resources, anyone can create an engaging and informative paper on any literary work. To get started, it’s important to first understand the basics of literary analysis and the importance of talking about literature. Understanding the literary elements, literary analysis tools, and the overall structure of a good thesis can help make the task more manageable. After understanding the fundamentals, the next step is selecting an appropriate topic and exploring various sources to create an informed thesis. By having an informed and well-researched thesis, it can be easier to make a compelling argument and create an engaging and informative paper. With the right knowledge and resources, anyone can write a great thesis on literature and make their own mark in the academic world.

In conclusion, talking about literature and writing a thesis create a meaningful relationship between the two topics, by allowing one to explore the text more deeply and create a compelling argument that can be articulated through the thesis. Furthermore, through this process, one can gain a greater understanding of the literature studied and the themes discussed throughout.

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Have you ever asked yourself whether literature can make your life different? For book lovers and writers, the answer is obvious. Meanwhile, the average reader may stop and think for a second. Does it make any sense? Let’s try to figure it out!

Literature Shapes Your Way of Thinking

Literature can shape the way we think, talk, behave, and see things. Being God’s creatures, we can be affected by words. So words comprise the stories we tell ourselves from time to time. We narrate our way through our days.

Seeing different worlds, different experiences, and different perspectives reveals a lot of opportunities for people. So we can change our opinion about this or that topic. In fact, you can start perceiving your whole life in a new way.

Taking interpretation, analysis, and application as rational activities is one thing. But using imagination in their regard is another thing. In fact, the latter shouldn’t be ignored. The ability of the human mind to imagine justifies the idea that we are made in the image of God. We’re literally the product of his imagination.

Does it sound too impossible for you? Think about such things in this way – our life consists of multiple activities, each of which affects us in this or that way. For example, some people like online gambling. When playing games and wagering money at https://onlinecasinoaussie.com, they become affected by the local environment. This can be a good or bad impact, depending on their initial intentions. The same thing goes for literature.

Reading Makes You More Empathic

This makes sense. Reading makes people better, especially when it comes to communication with other people. According to a 2015 study by Diana Tamir, reading fiction allows people to train the part of the brain that is responsible for empathy. Thus, you gain ESP each time you spend some time reading a novel.

In the 21st century, empathy has become valuable more than ever. But it’s the basis of the human experience, even in the best of times. As long as we are lucky enough to live our lives the way we want, we are ready to share it with others. Reading literature makes that fun rather than a challenge.

What You Read Means Everything You Aren’t Reading

Literature keeps us away from other things that add stress, anxiety, and worries to our life. The main one is social media, where our confidence and attention start declining. It can be difficult to parse out whether social media causes a lot of negative emotions or whether people who are stressed tend to use social media even more often. After all, growing evidence highlights the very idea that these platforms are ruining our overall satisfaction with life.

Have you decided to read a novel, a poem, or any other piece of literature? What theme does it cover? Is it closer to real or fantasy events? All these nuances do matter as you receive certain information that gives you food for thinking. The author meant it when he or she was writing the stuff. What you should do is to take their lead.

Reading Literature Makes Your Mind Grow

The most important part of literature is its ability to get into the mind of other people. Without modern devices, it allows us to know what they think, feel, want, and so on. Moreover, we can imagine what the place looks and sounds like right now.

Literature is a portal into other people’s life. It allows us to open the doors of our culture, identity, and personal background. It allows us to get connected with others, revealing different human experiences. Moreover, you don’t have to do something special. Just find a proper book, sit down comfortably, and read it through in peace. What’s good is that you can do it at home, at the café, at the library, or in any other cozy place.

How Literature Affects Your Human Condition

These days, literature has a lot to offer to everyone. Regardless of your taste, financial situation, time capacity, and preferred format, you will be able to find a suitable book to spend some time with. So feel free to arrange a reading session for yourself.

Poems, essays, novels, or short stories address human nature differently. But all of them don’t leave you unaffected. They evoke a plethora of emotions, such as doubts, fears, dreams, memories, and so on. This is how literature offers you a way to connect with your own humanity. Don’t miss this chance!

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Jane Austen (1787-1817)

One of the most beloved authors in the world, Jane Austen introduced her first book in 1811. This happens in those times when women were not allowed to have their own contracts with publishers, so she sold her first novel, Sense and Sensibility, with the help of her brother. Austen’s works have a unique sense of humor, satire, and romance, which won the hearts of many people.
Most of Austen’s books cover the theme of marriage. Interestingly, the writer herself has never been married despite multiple proposals. Her works have become the inspiration for different works of art, literature, film, and many more. In 1816, Austen got ill and died at the age of 41.
Up until this day, Jane Austen has remained a great figure in literature. Pride and Prejudice, one of her most famous works, served as the bases for numerous film adaptations.

Wisława Szymborska (1923-2012)

Not many women won the Nobel Prize in Literature. Wisława Szymborska was one of them. Her Poems New and Collected, a collection of the best poems, has become a career-changing work. Even though Szymborska published a few hundred poems during her lifetime, she received a title as one of the century’s finest poets in Europe. Her works featured ironic precision which created the historical and biological context to come through the prism of human reality. Rich imagery and versatile stylistic methods made Szymborska’s works personal, timeless, and universally acclaimed.

Virginia Woolf (1882-1941)

Being one of the most significant modernists, Virginia Wolf was good at revealing the stream of consciousness. Her narrative device was based on her ability to depict numerous thoughts and feelings which pass through the human mind. During her lifetime, she had to deal with mental illnesses which might have helped her create sensitive literature. The Voyage Out, To the Lighthouse, and A Room of One’s Own are some of her prominent works which have been examined by critics throughout the last century.

Emily Bronte (1818 – 1848) and Charlotte Bronte (1816 – 1855)

Emily Bronte, the sister of famous Charlotte Bronte, was a well-known female author of the Victorian era. Her Wuthering Heights has been added to the list of golden literature of all times. Bronte was also an amazing poet who brought her works under the pen name Ellis Bell. Her unique writing style could be easily observed in the Poems by Currer, Ellis, and Acton Bell.

Agatha Christie (1890 – 1976)

The lovers of high-quality detectives simply couldn’t leave this name ignored. Agatha Christie got more than two billion copies of her detective crime books sold across the world. No wonder she has become recognized as the best-selling fiction author of all time by Guinness World Records. Her fictional investigators Hercule Poirot and Miss Marple are legendary characters who serve as an inspiration to other detective writers these days. Her works The Mousetrap, Murder on the Orient Express, and The ABC Murders are only some works to mention from Agatha Christie’s bibliography.

Mary Ann Evans/ George Eliot (1819–1880)

Mary Ann Evans, known as George Eliot, was an amazing novelist, poet, journalist, translator, and one of the top writers of the Victorian era. She has been the author of seven novels written in strong realism. The presentation of the spiritual, emotional, and mental lives of the characters was one of her key tricks, which made her a name.
Eliot’s poems like How Lisa loved the King, and Count that Day Lost were critically acclaimed. Adam Bede, The Mill on the Floss, Romola, and Middlemarch remain in the list of the greatest novels written in the English language.

Final Word

Over the course of history, female writers have made great contributions to literature. Only some of them have received a deserved level of recognition though. Hopefully, you have the intention to change this situation. The above names will surely serve you as an excellent source of motivation and encouragement.

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Most of the books in the Business Literature section are little more than handbooks, crammed with charts, figures and lots of terms. On the one hand, this is a good thing. You cannot implement your plans without a basic knowledge of economics, finance and other subtleties of entrepreneurship. But then you have to put theory into practice. This is where it is important to know in advance what to expect. The example of real people who have already gone through all the stages of development and reached business olympus will help.

Before gracing the covers of magazines and appearing at the top of Forbes, Steve Jobs, Elon Musk and other billionaires were also budding entrepreneurs. Behind their dizzying rise there were many falls, and breakthroughs were achieved after a huge number of dead ends. These are the stories that successful people share in their memoirs. Or are written about by professional biographers.

Memories of famous businessmen and businesswomen are a good way to find out if you should take on the idea of starting your own business. The idea of becoming your own boss can be tempting, especially if you have not moved up the career ladder in a large corporation for many years. This step is seen as the key to taking control of your life. Organising your own business, on the other hand, introduces a lot of uncertainties. The books in the selection show how many of these things happen in reality and how they are handled.

Steve Jobs by Walter Isaacson

It’s not just IT people who should read Steve Jobs’ biography. No, not because he got half the world’s population hooked on his gadgets. The insights and examples of mistakes you’ll learn from the story of the IT genius and Apple founder are useful to anyone who wants to start building their own business wisely.

Elon Musk: Tesla, SpaceX and Quest for a Fantastic Future by Ashlee Vance

Journalist Ashley Vance’s book about Ilon Musk is probably the most motivating on this list. It makes you believe in your wildest dreams. If a boy from South Africa who read science fiction can become one of the richest people on the planet, why can’t others? Anything is possible! Get inspired for your own projects by reading the success story of the chief influencer of the XXI century. Everyone knows: any tweet by Musk can turn the world upside down. Would you like to do the same? Learn from him.

Mary Kay Way by Mary Kay Ash

Business has long been considered a strictly male occupation. One of the first women to break this stereotype was Mary Kay Ash. It was not for nothing that she was named one of the most successful women in American business several times and was even named Woman of the Century. This ambitious American built the largest cosmetics company, Mary Kay, proving that women can do a lot.

That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea by Marc Randolph

Mark Randolph kept hearing the phrase “It’ll never work” as he once again tried to talk about his idea of video rental by subscription. The idea seemed pure madness to anyone who knew the market. Despite the scepticism of investors and partners, Mark did not back down, for which he is to be thanked. After all, if it wasn’t for his stubbornness, Netflix wouldn’t have emerged. Randolph is an example of the fact that among the thousands of voices of people most often afraid of risk and change, you should listen to only one – your own.

My life. My achievements by Henry Ford

Henry Ford’s autobiography, unlike most written memoirs by millionaires, brings light and the idea of serving business for the public good. “My Life, My Achievements is not only the story of a great man, but also a practical guide to organising the production process and passing on the philosophy of a successful life to future generations of entrepreneurs.

Shoe Dog: A Memoir by the Creator of Nike by Phil Knight

In his youth, Nike founder Phil Knight could not afford to buy a pair of trainers. He never stopped wishing for more in life, but his dreams were not the only ones. Thanks to his persistence, Phil has been able to build a real business empire. This book is his confession about building a company that has succeeded in giving dreams to millions of people and becoming, in a sense, a philosophy. Nike is not just a shop with a bunch of comfortable shoes, but an ideology, a way of life and a system of values.

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Although most textbooks include abstracts of chapters that provide students with a condensed version of the material they have just studied, students need to know how to summarize chapters accurately.

Book Chapter Summarizing

Before you write a chapter summary, you should first have a good understanding of what you have read. Every chapter of a novel can be compared to an episode of a TV show. Generally, there’re the five narrative components of fiction:

• Character
• Setting
• Conflict
• Resolution
• Plot

And there’s the basis for an event:

• Who or What
• Did What
• Where
• When
• Why
• How

Go through the material thoroughly, jot down the story, and summarize it.

Reread the Story to Emphasize Key Parts

Scan the text to highlight, emphasize or otherwise identify parts of particular importance, making sure you can mark in your book before you continue. Books often provide clues about key concepts by overwriting or repeating them on the page. Search for remarkable parts, and write them down on a piece of paper.

Identify Main Figures and Settings

Begin your summary by indicating the main characters and how to configure the chapter in one to two sentences. The main characters are the object of history. They play, feel and speak for the most part in the chapter. Provide details about both the protagonist, antagonist, if the chapter includes both characters. If it contains supporting characters, such as friends and family members, don’t include them unless they affect the outcome of the chapter.

The context of the chapter is the timing and location of the story. The setting may be as specific as Manhattan in June 1965 or as extensive as a rural village in the Middle Ages.

Presenting a Summary

One of the most delicate parts of creating a summary is to specify that it’s a summary of somebody else’s work; these ideas are not your original ideas. You’ll almost always start an abstract with an introduction to the author, the article, and publishing, so the reader knows what we are about to read.

Main Theme

The main concept is the main topic of the chapter. To figure out what it is, consider what the lead character spends most of the time doing or thinking about. In many cases, the character tries to resolve a conflict. Conflict sometimes occurs internally. For instance, the character may have trouble containing his anger or dangerous urges.

Sometimes, the conflict is outward — the character against their environment or some other character. The character could be caught in a thunderstorm or try to win somebody’s affection.

The primary idea may also include a message or morality. In two or three sentences, indicate the principal action, conflict, and morality.

Supporting Details

The accompanying details are the sentiments and actions which support the main idea. They include the means that the principal character attempts to solve the conflict. Supporting details, address questions about why and how.

Look at the motivation of the protagonist and the antagonist and how they feel or react to the events of the chapter. Include overall details or concepts, but be selective and concentrate on those that are most significant. Write a few sentences with details as presented by the author in chronological order.

Revise to Clarify the Summary

Review and revise your abstract. All the essential elements — the characters, the scenery, the theme, and the meaningful details — must be presented clearly and logically without non-essential information or opinions. You must write the summary only in your own words. If you use a particularly outstanding phrase in the chapter, assign it to the author to prevent plagiarism.

Summary Conclusion

Now that we have a little more information about the major ideas of this room, think about whether some links or details need to be filled out that’ll help your reader fully understand the points raised in this text? That’s where you put them.

It’s also a great place to begin (or reaffirm) the things that are most important for your readers to remember after finishing your summary.

If you think that chapter summaries are nothing more than serious and boring writings, you are mistaken. Chapter summaries can also be valuable for writing and reading. You just have to figure out how to play with your words and apply a variety of phrases to make your chapter summary factual but fun reading.

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Do you lack the time for a full academic writing course and look for a more effective solution? The good news is that such a solution exists. Academic writing will be much easier after you read this book and follow professional tips. It is a book that can change your attitude to paper writing and teach you how to complete insightful papers on any topic.

What Is the Book About: Key Ideas

“Pains and Gains of Academic Writing” is about the most common problems every student faces when studying at a college. The book consists of three parts. They are the following:

• Structure;
• Content;
• Style.

“Pains and Gains of Academic Writing” is a full guide for students who want to write perfect papers. Each chapter of the book is divided into subheadings which makes it easy to understand instructions. Each chapter has theoretical and practical parts. It contains information about effective writing techniques, detailed step-by-step guidelines on how to write any type of paper, and many practical exercises. The guidelines provided in the book will help you to overcome writer’s block and create well-researched papers.

The book’s author tells what essential parts each chapter should contain. Learn how to write an introduction, the main body, and the conclusion. The guide also covers information on how to include quotes, write references, and polish each paper’s chapter. The book covers instructions on how to write an essay, a research paper, a reflection paper, case study, reviews, and other types of academic papers.

Professional Pieces of Advice from Experienced Writers

“Pains and Gains of Academic Writing” can substitute a long course on academic writing as it contains expert tips and tricks you won’t find anywhere else. The book is a practical guide for students of all academic levels. It covers the essential parts each paper should contain, tips on how to structure and format an academic paper according to the latest standards. You will find out how to craft original pieces of writing and avoid plagiarism. Besides, you will be able to practice a lot and check how well you’ve understood the material in each chapter.

Academic Writing Is as Easy as ABC with Professional Guidance

Everyone can become a good writer. “Pains and Gains of Academic Writing” is the evidence to this statement. There are 13 real-life stories about successful writers who have completed hundreds of brilliant papers. If you get acquainted with all the stories, you’ll see that nothing is impossible. The book will teach you what steps you should make on your way of academic writing success. Learn about writing styles, structure elements, the authenticity of the content, and much more.

Conclusion

 “Pains and Gains of Academic Writing” is worth your attention. Compared to many other tutorials and guides, it is written in a beginner-friendly tone and is free from technical jargon. It teaches not only the basics of academic writing but also provides an opportunity to become a professional writer through practice. Both beginners and more experienced writers will benefit from reading the guide. It provides deep insight into key writing problems and teaches how to cope with them effectively. This book will be of great use to those who want to improve their writing skills step by step without spending much money on online courses.

Whether you are an undergraduate student or a graduate, don’t hesitate to read the book. You’ll learn how to express your ideas and write impressive papers on any challenging topic. Moreover, structure and format do play not the least role in academic writing. You won’t spend hours racking your brains on how to format the paper anymore. Just follow expert tips in the book and create an A-grade piece of writing.

Learn from Experienced Custom Writers

One of the most effective ways to improve your writing skills is to go to professional writing service online CustomWritings. It’s a place where you can get help with any type of essays, book review, summary, book report, and other academic papers. If you hire a reliable helper online, you can be sure that you will submit an original paper without errors. Experienced writers will follow your teacher’s instructions and meet all requirements. You will be able to learn how to write papers of the same type and can use a high-quality paper as a sample for further assignments.

Students of all academic levels can get affordable assistance from a competent writer. CustomWritings is a legit writing service that has a team of the best specialists who can complete any paper fast and deliver it before the deadline. Don’t hesitate to get top-quality writing assistance and follow tips from experts. You will become a better writer if you discuss writing issues with professionals and write college papers with expert guidance.

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Why are women underrepresented in literature?

If we turn to the justifiably aggressive critique of the feminist poststructuralist Helene Siksa, we can realize that the lack of a dense and weighty corpus of women’s texts is really to blame for the “penis-heads. And it is true: throughout human history, repressive phallocratic (as this Frenchwoman would put it) mechanisms have extended not only to family and marital relations – they have also taken a big toll on the space of language.

All systems of governance – in our galaxy, so far represented by men – are fueled by language and at the same time governed by it, which amounts to power and violence (hence the desperate struggle of the new order for feminitives, ridiculous to many).

This is why the figure of the woman in literature embodies the myth of the Echo, the nymph deprived of her own voice, forced again and again by a weak voice to echo the creatures proud of her “pocket symbol. But she is deprived not only of her voice: according to the myth, her body, and with it the very possibility of writing, has been taken from her.

Why writing liberates corporeality

In an important article for poststructuralist philosophy, “The Laughter of the Medusa,” Hélène Siksou loops between academism and poetry and writes that the flesh never lies by exposing itself, by physically materializing thought into text. Women, she argues, must come to know their corporeality through the act of writing. It is a corporeality-text, taken from women by male authors, harnessed to the rusted patterns of the marriage plot with its inevitable domestication: you are an incubator for children – and to have tea by five o’clock (in short, the eternal values of the golden classics).

At this point, Siksu’s programmatic theses remotely echo one of Gilles Deleuze and Felix Guattari’s interpretations of the “body without organs. It is the concept of an empty shell, alienated from its desires, pleasure and the possibility of verbal or written expression. Postmodernist philosophers constructed this metaphor of a “surgerized,” hysterical corporeality based on the story of André Breton’s “subject,” Nadia, and the writer Henry Miller’s second wife, June.

The cases of these two women are symptomatic of the collective fate of many modernist women. For the patriarchs of literature, “she” is from the strength of an intellectual lightweight, a non-author, a little cardboard doll who can be used only as a framework for the creation of a heroine-often a mutilated and ridiculous dummy of a real prototype. It was this warped perception, the label of hysterical, that June wrote about in a letter to another of Miller’s friends, Anais Nin, lamenting her portrait in her novel, “Tropic of Cancer.” “He wasn’t writing me, he wasn’t writing me… How monstrous it is.” For Breton, a former student studying psychiatry and drooling over young female patients with Louis Aragon, Nadia was something like a laboratory mouse: having probed the material for a potential novel, the surrealist fled.

In the end, we have the truly magnificent stuff of two mastodons of modernism: Tropic of Cancer and Nadia are mast-readers. And in the ’70s, the pus of objectification and unhealthy fetishism in their texts was unearthed and the caricaturedness (if not the stiltedness) of their heroines was exposed. In the end, what Flaubert called the “muse” turned out to be a source of literary vampirism.
Miller did not even try to hide behind a gilded romance: he called the companions that inspired him cunts – and he was not ashamed of that.

To the question of collective destiny: what happened to Nadia or June? June is said to have undergone electroconvulsive therapy and alternately changed her life in motels to a succession of psychiatric wards. Nadia died in 1940 in some hospital is all we know. The second question is: Where are their texts? After all, if we are to believe Kathy Zambreno’s non-fiction study of Heroines, both wrote. There is, however, no evidence that they tried to publish anything. All that remains is an echo, a vague recollection only because men appropriated other men’s registers, preventing them from writing their own story.

What is a woman’s “fear of authorship”

A bible for feminist literary scholars, The Madwoman in the Attic by Sandra Gilbert and Susan Jubar, states that the very possibility of women’s writing was hampered by a lack of antecedents and, as a result, confidence. Based on this construct, Gilbreth/Jubar developed the notion of “fear of authorship,” a malaise fueled by the patriarchal monopoly on art.

Decorative ladies had their pencils knocked out of their hands and were only occasionally allowed to scratch the sheet. No wonder that, without exaggeration, most of the Victorian and Modern women who tried to write ended up in mental institutions. Elaine Showalter’s The Female Malady (a kind of female version of Michel Foucault’s History of Madness) suggests that the girls of the previous century were still lucky: they were at least sometimes allowed to write.
If you turn to the nineteenth century, when woman writing first began to emerge, you immediately stumble over the diagnosis: not only were they not allowed to approach paper at point blank range – this very attraction for women was considered a deviation, a mental disorder.

The archives of hospices and hospitals are full of stories of such “disorders. For example, a Swiss peasant woman was hospitalized in Canton just for delaying work for her morning letter.

In addition to criticizing the vertical of psychiatric power that has served men well, Showalter collects techniques for treating such afflictions: confinement in an attic (hello, Jan Eyre!), pouring cold water (if a bourgeois), but worst of all, no ink.

Once an Austrian seamstress, Agnes Richter, imprisoned in the Heilberg asylum, somehow managed to steal some ink. Her ugly jacket is densely covered with illegible text, with occasional dashes of “I want to read,” “I want to write. For feminists, this macabre artifact is further evidence of the repression of masculine language, of the creepy need to wrap oneself in text; for the indifferent, it is a scribble reminiscent of abstractionist Cy Twombly (which is probably fine, too).

Lost Writers

If one makes a pilgrimage to the memorial sites of modernist writers like Jane Bowles or Zelda Fitzgerald, one will run into the voluminous, almost menacing shadow of their author husbands everywhere.

Jane Bowles

An American writer from New York who lived in Tangier, she wrote a novel about the “all-out” journey of two well-to-do ladies.

Playwright Tennessee Williams and Truman Capote called her the most significant novelist of the century – yet her name always goes only in conjunction with that of her husband Paul Bowles.

In Tangier, elbow your way through the hijab-wrapped crowd, and fish out a cab driver. Many of them only need to hear “Po Bo” to know that you want to visit the home of Paul Bowles. Bowles was a great author: admired by beatniks, intellectual trendsetter Gertrude Stein – in short, a bohemian buddy of three whole continents. More importantly, he was the very embodiment of Kipling’s “West is West, East is East,” having lived half his life in Tangier and remained a foreign voyeurist. With his wife Jane, he shared everything but his bed-including the famous house in which they lived above each other and called each other daily, but rarely saw each other.

She was unforgivably little published and translated, and her beautiful somnambulist novel Two Serious Ladies was missed not only by most critics but also by readers. Not a few reviews could do without the phrase “a novel by Paul Bowles’ wife. That’s partly true.
Jane will be angry for the rest of her life that in many ways this is her husband’s novel: constantly edited by him, full of his edits and notes in the margins. In a sense, this man’s weeding out of a woman’s text could be considered a literary monument to gaslighting.

Jane died delirious in a Spanish Catholic convent, leaving behind a half dozen short stories, one play, and a novel. And then there’s the house in Tangier, on which hangs a patina-covered plaque that says, in English and Arabic, “Paul Bowles, American writer and composer, lived here from 1960 to 1999. And no mention of Jane.

Vivienne Heywood Eliot

English novelist, author of a series of short stories.

Her literary legacy was praised by Bertrand Russell, Gore Vidal, and her texts were praised by Virginia Woolf and Ezra Pound. But in searching for Vivien’s creative legacy, you will again stumble upon a figure of men. She is used to being called not a writer, but the “mad muse” of the great poet Thomas Stearns Eliot.

Early in the marriage, the jealous man generously allowed his companion to write. Then she even managed to publish in The Criterion magazine under several pseudonyms, whose lyrical characters had different styles and spheres of interest – just like the famous heteronyms of the poet Fernando Pessoa.
Later, Eliot would write how he hated chick lit (that is, women’s prose) and would not only throw away Vivien’s diaries, but demonize her abilities in front of her friends.

Shards of Vivien’s few surviving notes are preserved, of course, in the Thomas Stearns Eliot Foundation. It’s as if the entire essence of the poet’s relationship to his wife has transmuted into a foundation whose mere name is meant to plunder someone else’s legacy. And what a mystically frightening coincidence that Vivien – like Jane Bowles – spent a fair amount of time in a mental institution.

Zelda Sayre Fitzgerald

American writer, author of the novel and diaries from which Francis Scott Fitzgerald borrowed ideas.

Zelda’s literary value was realized only after her death. She was adored by the New York bohemia of the beginning of the last century, from ballet dancers to art dealers (but hated by Ernest Hemingway). However, not many people knew about Zelda the writer then, for her husband Francis was the slyest of all literary husbands. Giving his doll wife luxurious dresses from Patou and sending her to dances, he meanwhile copied out entire passages from her diaries almost word for word, “screwing” them into his heroines. And, incidentally, still did it in such a way that the confessional, resilient text of Zelda turned into a description of the impenetrable idiots of his novels.
Zelda’s legacy – dozens of voices from novels celebrating one of the most epathetic beauties of the jazz era, novels dedicated to her by her husband Francis Scott Fitzgerald, Tennessee Williams’ play Clothes for a Summer Hotel, Gilles Le Roy’s Song of Alabama, TV series, movies – but where is her own voice?

The sum total of a life – a fire at Highland Hospital, where Zelda was locked in a room awaiting another batch of electroconvulsive therapy, the infernal agony of being engulfed in flames, one novel, letters and diaries stolen by a male writer – and one slipper that miraculously did not burn.

The novel that changed everything (or not)

We owe much of the change in literature to one short story, “The Yellow Wallpaper.” Northeastern United States, late nineteenth century. Longtime Charlotte Perkins Gilman struggles with postpartum psychosis. Around this same period, a still infantile but powerful school of neuropathology, led by Dr. Silas Mitchell, is being erected in the United States. Had the two not met, women might have been weaned from reading and literary craft for a long time and driven into four walls at the first disobedience.

Dr. Mitchell (and society as a whole) believed that it was bad for women – fragile, sickly creatures – to think, so his recommended time for brain stimulation was strictly limited: only two hours a day.

By happy coincidence, Charlotte Gilman’s husband heard about Silas’ miraculous “cure” (regular bed rest 24/7) and brought his wife to the care of a specialist.

Gilman couldn’t last more than three months on this regimen, though. Throwing off the suffocating blanket, she blurted out a short novella about a woman, isolation, and mutating yellow wallpaper. The plot of “Yellow Wallpaper,” at first glance, is simple. Jane suffers after giving birth and, locked in her room by her husband (purely for recreational purposes), spends hours looking at the crazy, wriggling wallpaper. True, there’s a nuance: sometimes a woman’s image shows up in the patterns, and judging by the scratched walls, a madwoman has been held here once before. By the last day of summer, having read all the information from the wallpaper, Jane rips it off and, by some mystical transgression, either goes mad or finds herself – and thus frees herself.

The Wallpaper was said to have been intended precisely for Dr. Mitchell, challenging the suppression of the intellectual, the psychiatric power and the triumph of stereotypes about the mental health of women. It was also said that the novella so shook the neurologist that he fundamentally changed his method of treatment–but this is inaccurate. At any rate, this is what is commonly thought in feminist discourse, which argues that Wallpaper shattered the institution of psychiatry, which was primordially male, and made room for feminist literary studies.

How Feminism Entered Psychiatry

It was easier for the next generation: the American feminist literary criticism of the 1920s and 1930s, intertwined with suffragism, and later the French one of the 1960s, plucked a palimpsest of dusty women’s texts from oblivion: the works of the tandem of Claude Caon and Suzanne Malerbe, obscured by the patriarchs of Dadaism and sura; the religious-philosophical works of Colette Peignot, simply stolen by Georges Bataille and Michel Leiris, or the obscure opuses of Elsa von Freitag-Lorringhofen (the list could go on).
At the same time, psychiatry began to transform: neurophysiology proved that women, contrary to firm prejudice, were no more susceptible to hysteria than men, and intellectual pursuits did not lead women to infertility and insanity.

The Diagnostic and Statistical Manual of Mental Disorders has since been revised five times, and poor Zelda Fitzgerald and James Joyce’s daughter Lucia would today be transformed from schizophrenic women at most into women with a nervous disorder. It is of the thousands of misdiagnoses-not just among women writers-that Showalter shudders, describing how an entire institution of men had a hard time admitting to an inherently wrong course of science and letting female specialists in.

The experimental poet Francis Ponge said that language was a prison for the mind, but whose walls could be painted with anything, even shit. Within this metaphor, it seems doubly appropriate to recall another victim of misdiagnosis. Janet Frame was a New Zealand poetess who painted her poem on the walls of an asylum using sparse pencils, gouache, or simply scratching with her fingernails. She tamed and cleaved masculine language to, contrary to Ponge’s claim, liberate the mind. In 1952, after two hundred (!) sessions of electroconvulsive therapy, miraculously dodging a lobotomy, she left the alabaster vaults of the asylum and published a collection of translucent and at once weighty poetry that tangentially touches on the relationship between art, power and language.

One doesn’t want to overdo the bronze here at all, or stumble over the awkward pathos of the struggle. But Frame, like many like her, shows that writing is the garlands with which a woman wraps her chains, thereby breaking them.

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But the passion and all-encompassing love of literature has led special devotees to build their own book collections. In private libraries one seldom finds cheap or uninteresting titles; there is an atmosphere of exceptional knowledge and bookish wealth.

The libraries on this list are mostly owned by individuals who, by virtue of their service, their enthusiasm (or both), like to share their collections with others. They love to host guests and give tours of their book labyrinths. The fact is, the whole point of a library is public access! A book, as a great value, should not sit idle on the shelves for years.

Oprah Winfrey

For greater visibility among the general public, many writers would do no harm to have a high-profile event such as a mention by a prominent figure, which is definitely what Oprah Winfrey, the world-renowned television host, might be considered. Many creators of pen and ink consider it an honor to be included in Oprah’s Book Club, and for many, it is the only way to get on the top lists of all sorts of rankings.

Oprah Winfrey’s personal library has about a thousand and a half books, including the most respected titles. She collects literature of absolutely different kinds, including first editions of biographies of Coco Chanel, Yves Saint Laurent and Helena Rubinstein. Because of her racial background, Oprah keeps numerous editions dealing with discrimination and other issues, such as the first edition of To Kill a Mockingbird, signed by the author. But the gem of her collection can probably be considered a complete collection of essays by Pulitzer Prize winners, including “The Age of Innocence,” “Our Town,” and other works.

Jay Walker

It’s hard to imagine a more distinguished private library than the one held by Jay Walker, an American entrepreneur and founder of numerous companies like Priceline. Jay’s specially equipped building houses some of the most amazing and rare publications in the world. In fact, his library is a treasure trove of historical and technological artifacts, including the first examples of personal computers (and even the famous Enigma encryption machine), which look harmoniously on the same shelves together with exceptional books.

It’s not just the shelves that stand out in complete harmony, but also Jay Walker’s collections. Among the book titles in his collection stands out Robert Hooke’s Micrography, which shows the first images made with a microscope. Equally interesting are the first astronomical maps in Western Civilization, which moved away from geocentric theory, and a collection of custom jewelry editions.

Harlan Crow

While Walker’s library houses exceptional editions from science and technology, the private collection of Texas magnate Harlan Crow includes more historical manuscripts. Among his most treasured items are documents signed by George Washington himself, as well as a simple napkin on which Franklin Roosevelt unfolded a draft plan for victory in World War II.

Crow’s possession also highlights first editions of the works of Charles Dickens and Mark Twain, but more emphasis is placed on documents of historical importance. He has documents and manuscripts signed by Christopher Columbus, Amerigo Vespucci, and Robert E. Lee. He has a copy of the first census signed by Thomas Jefferson and even a signed copy of Mein Kampf.

In addition, Harlan Crow knows very well not only how to fill a library, but also how to decorate it. In terms of decorating, his warm love of statues and sculptures is worth noting. On the lawn outside his house is a monument to Margaret Thatcher, and on the other side of his garden are busts of prominent politicians and dictators of the 20th century, including Vladimir Lenin.

Richard Maxey

Of course, Crowe and Walker actively host guests in their private collections, but it is Richard Maxey who proves the point of public accessibility to any library. A professor of humanities, Maxey invites hundreds, if not thousands, of students and colleagues to view his own collection, which consists of more than 70000 items. Acquaintances speak of him as a fatigue-free, intelligent man; a man who would give up sleep if he could spend more time in the company of friends and books.

Maxey’s library contains both regular and rare and historically significant publications. He has a signed copy of In Search of Lost Time, as well as first editions of Faulkner and other classics. His total collection of books, paintings and documents is estimated at $4 million. But, as we know, money isn’t everything.

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Anna Sewell finished her book, Black Beauty, in 1877, just five months before her death. Fortunately, she had time to feel the early successes of her barely published work. Despite the fact that Black Beauty is Anne Sewell’s only book, her fame has long entered the annals of world literature. Anna Sewell is one of many legendary writers who have managed to publish just one work during her lifetime.

Edgar Allan Poe

One of the first American writers to turn to the genre of short prose was Edgar Allan Poe. To this day he is best known as the master of horror and all things unknown. He originated a particular style of detective fiction and had a hand in the evolution of the science fiction genre in literature. He was the first man in America to make a living as a writer. But despite all his productivity, only one novel came out of Edgar Poe’s pen: The Narrative of Arthur Gordon Pym of Nantucket (1838).

Emily Bronte

Like her sisters, Emily Bronte originally published under a pseudonym. Thus, the “first” author of Wuthering Heights, published in 1847, was Ellis Bell. The novel was greeted by critics with mixed feelings, most of whom still found the book unrealistic and scandalous. In a subsequent edition, Charlotte Bronte publishes a preface in which she attempts to defend her sister’s work. Unfortunately, Emily Brontë’s short life prevented her from writing another masterpiece; she died of tuberculosis one year after the first publication of Wuthering Heights.

Oscar Wilde

Oscar Wilde wrote many plays and poetry, but Portrait of Dorian Gray (1890) remains his only novel. Nevertheless, his work did not allow the author to win the praise of critics, who hardly chose to censor it when writing their essays on the book. In his irrepressible desire to please the public, Wilde edited the novel several times, but he did direct most of his literary energy toward poetry. During his lifetime, Oscar Wilde was popular primarily for his poems, but it was “Dorian Gray” that helped him leave his mark on literary history forever.

Margaret Mitchell

Margaret Mitchell never wanted to publish her novel, but once acquaintances remarked that her work could have been a real event. Gone with the Wind was published in 1936, bringing her the endless fame she was so anxious to avoid. She was awarded the Pulitzer Prize in 1937 and her Gone with the Wind is still one of the best-selling books of all time. Mitchell could not accept her position; she did not tolerate being in the spotlight, so she refused to publish another novel. Coincidentally, she never had a chance to change her mind; she died at the age of 49 under the wheels of a car.

Ross Lockridge Jr.

Despite the fact that Ross Lockridge’s name has become a household name, the public cheered his first novel, Raintree County, published in 1948. The book is often referred to as the Great American Novel, placing its author on the same pedestal as Mark Twain and Ernest Hemingway. “Raintree County” once topped the New York Times rankings, and the book was also screened a few years later. But a continuation of Lockridge’s literary career did not follow-he committed suicide just three months after publication.

Ralph Ellison

When Ralph Ellison published Invisible in 1952, the public literally greeted it immediately with delight. The writer won the National Book Award in 1953. Ellison continued writing, hoping to gain even more recognition on the wave of success of his first work. But a fire in his house destroyed his entire manuscript. But Ellison was not desperate; he continued writing, and his new manuscript stretched to more than 2,000 pages. After his death, the manuscript was trimmed, edited, and published as June 19.

Boris Pasternak

Boris Pasternak is an internationally recognized titan of 20th-century poetry. Not surprisingly, his attempt at writing prose was so admired, but his novel, Doctor Zhivago, was haunted by many failures. His manuscript was poorly received in his homeland, yet the Nobel Committee awarded him the prize in 1958. Unfortunately, due to the circumstances, the writer was forced to reject it.

Harper Lee

Ever since Harper Lee published To Kill a Mockingbird in 1960, the novel has been one of America’s, and even the world’s, most popular. The writer was awarded the Pulitzer Prize in 1961, and in 2007 she received the Presidential Award for her contribution to literature. To this day, there is still some speculation as to why Harper Lee has not published other works. Nevertheless, more than a year ago her new work, Go Set a Watchman, saw the light of day, but it is widely believed that this was done to please greedy agents and against the permission of the writer herself.

John Kennedy Toole

“A Conspiracy of Stooges” was published in 1980 and instantly sold numerous copies, and its author was awarded the Pulitzer Prize – posthumously. Toole had finished his novel much earlier, but under the constant rejection of editors and publishers, the writer committed suicide in 1969. The book was published only thanks to the enormous efforts of the writer’s mother.

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